Which was not an objection of the Council of Trent to the music in the church service?

Which was NOT an objection of the Council of Trent to the music in the church service? The performance of plainchant by women and children.

How many voice parts are required to sing the Pope Marcellus Mass select one a two B three C five D six?

Terms in this set (15) The Pope Marcellus Mass was written for six voice parts. Palestrina’s Pope Marcellus Mass is a setting of the Mass Ordinary. During the Renaissance, the Mass was recited and sung in the vernacular (the language of the people).

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Which English composer from the Renaissance was a loyal Catholic who focused much of his efforts on composing work for the church?

The leading midcentury English composer was Thomas Tallis (ca. 1505– 1585), known for his music for both the Catholic and Anglican liturgies.

Which was a recommendation of the Council of Trent regarding music for the church?

Fellerer stated over half a century ago, the Council of Trent recommended “that music must serve to uplift the faithful, that its words must be intelligible, and that secular expression must be avoided” (K. G. Fellerer and Moses Hadas, “ Church Music and the Council of Trent,” The Musical Quarterly. Vol. 39, No.

What were the two primary goals of the Council of Trent?

The two main goals of the Council of Trent were to address abuses in the Church and to clarify Catholic teaching to meet the Protestant challenges.

What was the biggest problem that Catholic leaders had to solve at the Council of Trent?

The primary purpose of the council was to condemn and refute the beliefs of the Protestants, such as Martin Luther and John Calvin, and also to make the set of beliefs in Catholicism even clearer.

What are the five main section of mass?

These are the words of the service which are the same every day. The Ordinary consists of five parts: Kyrie (Lord have mercy upon us….), Gloria (Glory be to thee….), Credo (I believe in God the Father….), Sanctus (Holy, Holy, Holy….) and Agnus Dei (O Lamb of God…).

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What does Gregorian chant mean?

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant was traditionally sung by choirs of men and boys in churches, or by men and women of religious orders in their chapels.

What is it called when you sing without instruments?

Although a cappella is technically defined as singing without instrumental accompaniment, some groups use their voices to emulate instruments; others are more traditional and focus on harmonizing.

What was the most popular musical instrument of the Renaissance?

In the Renaissance era, the lute was the most popular instrument in the Western world.

What were the 3 basic purposes of art music during Renaissance?

Art music in the Renaissance served three basic purposes: (1) worship in both the Catholic and burgeoning Protestant Churches, (2) music for the entertainment and edification of the courts and courtly life, and ( 3 ) dance music.

Who was one of the most influential composers of the early Renaissance?

1. William Byrd. The Englishman William Byrd was born in 1543 and died as one of the most iconic and famous Renaissance composers known.

What was a recommendation of the Council of Trent?

Why was the Council of Trent convened? The Council of Trent was the formal Roman Catholic reply to the doctrinal challenges of the Protestant Reformation. It served to define Catholic doctrine and made sweeping decrees on self-reform, helping to revitalize the Roman Catholic Church in the face of Protestant expansion.

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How did the Council of Trent influence the performance and style of sacred music quizlet?

How did the Council of Trent influence the performance and style of sacred music? They noticed the corruption of the sacred music, took up for it, and kept preserving it.

What was the Council of Trent’s roll in the use of sacred music of the Renaissance in the church?

The Council of Trent is believed to be the apex of the Counter-Reformation’s influence on church music in the 16th century. The Catholic Church had spoken out against a perceived abuse of music used in the mass before the Council of Trent ever convened to discuss music in 1562.

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